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MusicalWork |
A Work intended to be perceivable as a combination of sounds, with or without accompanying
text.
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Dancehall |
Developed in the late 1970s as a street offshoot of reggae in which singers or deejays
performed over pre-recorded backing tracks played on sound systems. In the mid 80s,
faster rhythms and digital electronic elements like drum machines, samplers and synthesizers
began to predominate among dancehall productions. Lyrics are oriented toward local
dancehall audiences, and are more concerned with dancing, sex, and violence than the
political or Rastafarian themes of reggae. A major precursor to hip-hop, as that style
formed amongst New York block parties inspired by Jamaican sound system culture and
dancehall music, brought to New York by Jamaican immigrants.
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DubGenre |
Essentially reggae with vocals removed, heavy emphasis on bass and drums, and extensive
use of studio production techniques such as delay, reverb, and dubbing of vocal and
instrumental snippets over the beat. The sound is spacious, relaxed, and minimal.
Dub was spurred by the popularity of instrumental versions of reggae tracks at sound
system parties, and originally began to be commercially released as producer-led instrumental
B-sides of 45 rpm reggae singles in the late 1960s. The style gained popularity and
developed its own following, creating its own star artists, such as the melodicist
Augustus Pablo and the producer King Tubby. Often cited as a major precursor to and
forefather of contemporary electronic dance music - the concept of remixing is believed
to have originated with dub.
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Rocksteady |
Slower descendant of ska. Said to be the result of a hot summer in 1966 and the subsequent
need for more relaxed dance music. Like ska, rocksteady features skanking offbeat
rhythms and horns, but its perceived tempo is nearly half that of ska, due to a slower
harmonic rhythm and lower density of rhythmic events. The slower rhythm creates more
space for vocalists and musicians to be melodically expressive. Rocksteady later politicized
and spiritualized into reggae.
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RootsReggae |
Classic reggae - Bob Marley & the Wailers, Burning Spear, Steel Pulse, The Abyssinians,
etc. An ideologized descendant of rocksteady, and like that style, sonically typified
by skanking guitar, an offbeat emphasis, and low to mid tempos. Lyrics are often political
or spiritual, and concern topics from Rastafarianism, poverty, and love to corruption,
racial oppression, and liberation. Emerged in the late 1960s and reached its most
prominent phase of cultural output in the late 70s.
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Ska |
Features fast tempos, lead horns, and skanking piano and guitar putting emphasis on
the backbeat, giving ska a trademark jerky liveliness. Earliest internationally successful
style of Jamaican popular music. Incorporates a variety of influences, ranging from
New Orleans R&B, jump blues, and jazz to Jamaican mento and Caribbean calypso. Rocksteady
and its descendant, reggae, developed as a slower evolution of ska. Ska has spawned
international subgenres mingled with punk in the UK and US which maintain the fast
tempo and horns of ska, such as 2-Tone and Third Wave.
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Belongs to AVS |
avs:ClassifiedGenre |
A Type of genre.
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