Approximately from 1630 to 1680, baroque music saw the widespread introduction of
chamber music, or music for small ensembles of instrumentalists, along with the emergence
of the cantata, oratorio, and opera. In vocal music, the status of melody and harmony
were raised to an equal level with words, and totally instrumental styles of music
began to become more popular. Conducting as a method to hold ensembles of instrumentalists
together began to emerge in the Middle Baroque. Archetypical composers of the Middle
Baroque include the French court composer Jean-Baptiste Lully and the violinist and
innovator of the concerto grosso, Arcangelo Corelli.
|